Play It Again, Five Walls, 2019

May 1–18, 2019
Five Walls
Gallery 4, Suite 4, Level 1 / 119 Hopkins Street, Footscray VIC 3011
http://fivewalls.com.au/
https://feillafe.com/

 

“Play It Again” was a two-person exhibition by Simon O’Carrigan & Marcel Feillafe.

Play it Again was an exhibition and collaboration between Simon O’Carrigan & Marcel Feillafe at Five Walls in May of 2019. The work came out of O'Carrigan’s fascination with the 1968 album "Play it Again" – a record of covers by the The Allan Gardiner Accordion Band, released in Australia by Crest International.

Simon made a series of 12x12” LP sized oil paintings that focussed on making formal, semi-abstract compositions by using realism and representational painting techniques either of extreme close ups, or arrangements of groups of editions of the record.

Feillafes' response was, rather than an in depth exploration of the material, an attempt to understand, reconfigure and make his own logic out of this seemingly bad album. Intrigued by O'Carrigan’s interest in this, he set out trying to like it through his own intervention. This involved actively attempting to alter his own relationship to the album.

In addition to the visual works displayed in the exhibition, Feillafe performed a new sound work in response to the record with a modified record player and inspired by Dada/Music Concrete.

About the exhibition

In ‘Play it Again’ Simon O’Carrigan and Marcel Feillafe explore the excess in Western culture.

For the past two years Simon O’Carrigan has been obsessively collecting Alan Gardiner Accordion Bands’ 1968 album ‘Play it Again’. This record is commonly available in Op Shops for prices from $1.00 - $4.50, or procured online for as much as $25.00. Marcel Feillafe had never heard nor seen the album before this year. It is a ludicrous album comprising easy listening covers of popular music from the 50’s and 60’s, played by Alan Gardiner’s Accordion Band. It is ‘easy listening’ by genre only: neither artist has managed to sit through the whole record.

Fifty years later, in 2019, it is unclear whether the cover songs were meant to be serious. The sea shanty vibe and the cover image of the band after the party has finished (crumpled paper hats and semi-deflated balloons in an ill-decorated room) leave us wondering whether there is a joke to be in on.

O’Carrigan felt that there was something to be explored here and proposed to Feillafe a collaborative exhibition. Curious about this strange obsession, Feillafe agreed.

On the surface, the work produced for the show is about play. All of the artworks are samples of the cover art and album, extracted colours and forms: covering the covers. Feillafe is always open to an experimental approach to art making, and O’Carrigan has said he “just really wanted to paint something yellow”.

But there is something else going on here too, bigger questions that are raised without answer in the show, but note the same concerns which linger fifty years after the album was made. Looking more closely between the works on exhibition, there are implied questions around mass production, excess, capitalism, and ‘pointed nonsense’ – especially in a time of great social upheaval such as 1968 (or, hopefully, 2019).

O’Carrigan and Feillafe use the album as a prism through which to examine some of these things in our culture.

 

Get information about all the works in the show by downloading the PDF room sheet (PDF, 600kb).

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